Sensor Adhesive
We had previously thought that the electrode gel, which is applied to the neck sensors before the sensors are fixed to the neck, might function as an adhesive. However, the electrode gel serves as an aid in conductivity, and doesn’t have adhesive properites. Established methods for attaching the sensors include a neck band, tape, and simply having the user hold the sensors up physically. Holding the sensors is obviously cumbersome and a violation of our use-case requirement of comfortability. Discussing this issue with our vocalists, we confirmed that a neck band would also be uncomfortable and could impede movements necessary for singing freely. As a result, we are purchasing some specifically designed skin-adhesive tape to tape the sensors in place, which will hopefully maximize both comfort and secure sensor placement.
Schedule for SoM Meetings
We determined a schedule for our meetings with our School of Music partners following break. We’ll start with a week of practicing using the electroglottograph with vocalist users, then start gathering weekly warmup data so that our final presentation can include the data over time for five weeks for two vocalists. At the same time, we’ll start experimenting with repertoire recording, likely with piano accompaniment, in week 10.

Future Test Users
While we have the opportunity to work with two vocalists in the School of Music (a soprano and a mezzo-soprano), our hope is to ultimately test our product with a larger number of vocalists to get more meaningful data for our user feedback survey. This will depend on whether or not more vocalists are willing to sign up for the music course we’re currently a part of. There’s also the question of whether we’d be interested in expanding the target audience of the product slightly to include singers who are trained, but aren’t necessarily vocal majors or opera singers. Even though our current use case is more specific, other singers might still be able to offer feedback for things like the ease of setting up the device. This decision will depend largely on whether or not more vocalists are willing to join the class.
Data Privacy
One issue we were considering is that of securing user data, since some users might consider their CQ data or vocal recordings to be private. However, with the advice of Tom and Fiona, we’ve concluded that this actually falls outside of our use case requirements: like any recording software, this application is meant to be used on personal devices, or in a controlled lab setting, and all the data is stored locally. As a result, we will not be worrying about the encryption of user data for our application.
Product Solution Meeting a Specified Need
A was written by Melina, B was written by Tyler, C was written by Susanna
Section A
Our Product Solution considers global factors by including users who are not in academia or do not consider themselves technologically savvy. Although our product utilizes specialized hardware and software, our solution includes a dedicated setup page that aims to facilitate the use of these technologies for users who will be assumed to have no prior experience with them. The feature pages of the app will also include more information about how to interpret the CQ in the context of a controlled exercise time series analysis and a distinct repertoire. We have also considered that the accessibility to our product beyond Pittsburgh is limited by the purchase of EGG hardware and Voce Vista software. Our product solution makes use of a shared lab that can be duplicated with these purchases for any other local region.
Section B
Some of the cultural factors our product solution take into account is how opera singers normally sing and what the accepted practice is. We spent a lot of time conducting research on the vocal pedagogy of opera singers to ensure that when we output data it does not contradict what the user’s vocal coach instructs them to do. On top of that, we have taken into account that it is usually taboo to try and get a singer to change the form of how they sing and have decided to instead just output the information in a useful way so that the opera singer can decide whether or not to make changes, instead of originally suggesting form changes for the opera singer.
Section C
The physical components used in this product (electroglottograph, connector cables, microphone, etc) were created by extracting materials from natural sources. While the overall goal of the project is not directly related to environmental concerns, the overall impact of the product can be minimized by using durable and reusable components where possible. Notably, we found a preexisting electroglottograph to borrow rather than buying or building our own. This certainly saved us considerable cost and effort, but is also notable for significantly reducing the amount of new material that went into building the project. While we did need to purchase a microphone new, we purchased a high-quality model that will be able to be reused in future projects.